Gallipoli's understated drama deserves an audience ? Just scattered Turkish sentries firing down on us. There are meditative periods of inactivity, top brass strolls on the beach, fireside chats punctuated by a good old bit of fart humour. Here is a TV show willing to pace itself, to invest in its story and cast of characters, when they could easily have been outshone by a patriotic fireworks display. Gallipoli. These young men are portrayed as precisely that . It makes their situation and deeds all the more pitiably horrific. In amongst the bloodshed of the second episode is a touching pause as soldiers from both sides mingle on the battlefield to clear the dead. Photographs are shared; spots of language exchanged. Human moments like these, in stark contrast to the cold detachment of command, raise the stakes of the series by focusing on what happens between the gunfire, rather than the gunfire itself. Sadly, the ratings haven. Worse for us, perhaps this accurately reflects our wider viewing appetites. It. With six episodes still to go, this is not strap- in, rollercoaster television, but rather a thoughtful reflection that. Transitioning from people enthusiastically talking about taps and light fixtures to boys caked in blood hunched in a baking hot ditch is an awkward manoeuvre for any viewer to make, unless episode three involves the Anzacs doing a fabulous job of renovating their trench by installing a marble wetroom. T wo major new television dramas will challenge Australia. But will it be Gallipoli or The Secret River that sparks the bigger national conversation? Gallipoli, airing over seven weeks from the first.Gallipoli airs Mondays at 9pm. Alternatively you can catch it on Nine. If committing for another five weeks sounds like too much, then you can take in the whole series on streaming service Stan. Deadline Gallipoli Genre Period drama Written by Stuart Beattie Shaun Grant Jacquelin Perske Cate Shortland Directed by Michael Rymer Starring Sam Worthington Hugh Dancy Ewen Leslie Joel Jackson Charles Dance Rachel.
Gallipoli And Better Call Saul: The Australian TV Streaming Brawl Is On. Netflix still hasn't officially arrived, but the battle over who has the best shows available on key streaming services in Australia has now well and truly started. Stan last night put the entirety of Nine's Gallipoli mini- series online ahead of its TV broadcast, while Ezyflix. Stan's key titles, Better Call Saul. Gallipoli is one of Nine's flagship 2. April. But if you don't fancy waiting that long, Stan is offering up all seven episodes to subscribers immediately. The qualification about drama is important; the ABC put the whole of Chris Lilley's Jonah From Tonga on i. View last year (and you didn't have to pay for it). If nothing else, that move suggests that Nine (a joint venture partner in Stan along with Fairfax) is quite willing to sacrifice a few ratings points to attract subscribers. But not everything is going Stan's way quite so easily. Another key selling point for Stan has been its exclusive access to Better Call Saul, the much- hyped prequel to Breaking Bad. Stan will fast- track episodes from the US, but it turns out that's not the only way to access them digitally. Ezy. Flix. tv is offering download- to- own copies of Better Call Saul, and has priced the entire 1. For that money, you get your own permanent legal digital copy of each episode. The catch is that you can't download them until 2. If you take up the free trial, it would only be $2. Because Stan isn't pursuing the download- to- own market, AMC (which produces Better Call Saul) can sign a deal giving Stan exclusive streaming rights, and still claim a little more money by selling the download rights somewhere else. Those rights will probably have a limited exclusivity window, after which point the show will also become available on i. Tunes and Google Play. Lurking in the background is the looming threat of Netflix, which is due to launch in Australia at some point in March. One popular theory suggests that Netflix might choose to actually launch in late February, thus tying in with series three of its own flagship production, House Of Cards. Whether than happens or not, it looks like the first round of battles will be over . Fairfax owns Allure Media, which publishes Lifehacker. Gallipoli miniseries drops to 5. CHANNEL 9 executives must be hunkered down in the trenches after the poor figures for Gallipoli last night. The second episode of Nine’s flagship drama dropped to a disappointing 5. Australia’s five capital cities. Gallipoli was even beaten by the ABC’s Q & A (7. Malcolm Turnbull on its panel. Seven’s movie Identity Thief (5. Ten’s Law & Order: SVU averaged 4. Meanwhile, earlier in the night My Kitchen Rules’ dominance continued. RELATED: Manu tells of his feud with Colin Fassnidge. It was easily the number one show for the night — with 1. Australian Story, featuring the saga of the Leyland Brothers, also did well — with 1. Gallipoli’s figure was nearly 5. There were worrying signs even then, though, with Gallipoli’s second hour falling to 8. Actor Lachy Hulme, who appears in the series as Lord Kitchener, took to Twitter last night to defend the series.“If you didn’t see Gallipoli tonight you are truly out of your mind,” Hulme tweeted. But it is sensational.”Faltering .. Captain Eric Taylor (Jeremy Lindsay Taylor) loses his footing on the steep terrain of hill Baby 7. Gallipoli. Picture: Ben King. Source: Supplied. Some viewers have taken aim at Nine for the number of advertisements that are screening during Gallipoli.“For two weeks in a row Channel 9 have infuriated viewers by interrupting the commercials with a miniseries,” Chris Williams tweeted angrily. Nine’s decision to make the entire series available on the Stan streaming service — in high definition and without advertisements — could also be impacting ratings. Hulme’s tweet suggests another possible reason for Gallipoli faltering — the subject matter is too violent and depressing for a lot of viewers. Fighting on .. Bevan (Harry Greenwood) and Tolly (Kodi Smit- Mc. Phee) in Gallipoli. Picture credit: Ben King. Source: Channel 9. Last night’s episode was set one month after Aussie troops landed on the Turkish coast. Tolly Johnson (Kodi Smit- Mc. Phee) and his mates were stuck in trenches surrounded by rotting corpses.“(Gallipoli) is not attractive for viewers,” media analyst Steve Allen says. Tolly (Kodi Smit- Mc. Phee) makes his way up the ridge, gun at the ready. Picture credit: Ben King. Source: Supplied. Mr Allen posits two other reasons — the 9pm start time and the poor ratings lead- in from The Block Triple Threat (7. We are seeing a real and seemingly growing problem with ratings for Australian dramas that commence at 9pm or after,” Mr Allen says.“Then there is the fact that The Block is probably the opposite of a good lead in program. Not only is it having its own ratings issues but it is the wrong audience profile for Gallipoli.”Channels Seven and Ten will be watching the Gallipoli ratings closely. Both networks have Gallipoli- themed programs set to roll out in coming months. Nine will be hoping the catch- up figures from viewers that taped last night’s episode, will add some respectability to the Gallipoli figures.
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